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“All the Natalie Portmans” and the Limits of Hollywood Fantasy

9 Mar 2020

Vinson Cunningham reviews the intriguing new play, which shows how popular art can both distract us and serve as background for our pain.

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This content was originally published by the new yorker business. Original publishers retain all rights. It appears here for a limited time before automated archiving. By the new yorker business

Covid-19 – Johns Hopkins University

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