24 Jun 2020

Richard Brody writes about how the past three months of confinement due to the coronavirus pandemic—and the resulting shift from theatrical to online movie releases—have proved that movie theatres, particularly multiplexes, hardly matter now.

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This content was originally published by the new yorker business. Original publishers retain all rights. It appears here for a limited time before automated archiving. By the new yorker business

Covid-19 – Johns Hopkins University

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