28 Jul 2020

Mahan Esfahani writes on the history of the clavichord, and his relationship with performance and a beloved friend in the midst of the coronavirus pandemic.

Read the full article here.
This content was originally published by the new yorker business. Original publishers retain all rights. It appears here for a limited time before automated archiving. By the new yorker business

Covid-19 – Johns Hopkins University

Download brochure

Introduction brochure

What we do, case studies and profiles of some of our amazing team.